Writings from the Edge

Thoughts, words, and pictures as I go along my way...

Quietly, I begin again to the garden

By Victoria Bennett  --  posted March 31st, 2020


                    It is the patience of sorrow that carries me.

                   Now, it says, only now.

                   There is so much sadness that calls for sleep

                   and yet, the sun keeps rising, 

                   insists it is not time for rest, 

                   but time to grow

                  even if the growing is slow.

In the first reactive wave to the rising pandemic, I floundered, faced with the overnight loss of future plans and the stark reality of risk to both my son and I, as medically vulnerable people. My first response was to fill the uncertainty with action, reaching out to set up community platforms, projects, online connections. Within days, the internet was exploding with online webinars, support groups, workshops, concerts, film screenings, poetry readings, positive affirmations and pet memes. Faced with a sense of powerlessness, I did what I have always done: I tried very hard to push the noise of fear from my head and heart by filling both with the noise of creative action. In the end though, it just created more noise until all I could hear was the jumble of my own cascading mind as it grappled with the impossible possible that our life was unfolding into. As the world goes into lockdown, I read post after post on social media from people trying to make sense of what we cannot comprehend. It takes a while to realise why this feels very familiar, and why I am turning to strategies I have used before. This reaching to make sense, to create narratives from absence, from what is not there, this is what is at the heart of loss.

When my sister drowned in October 2007, everything about my life changed. I was seven and a half months pregnant, enjoying the final trimester of a much wanted pregnancy and planning for a future that my husband and I had hardly dared dream about. In that moment, the ability to believe in wishful thinking, the ability to make sense of a future, disappeared. My sister’s sudden death tore the illusion of my life away and with it, everything that I had previously identified myself with. It was the beginning of a decade of loss, with repeated and unexpected deaths and life-changing illness tearing down every edifice of the life I had previously imagined was mine. I exhausted myself to make sense of what no longer made any sense. Eventually, I realised that the only thing I could do was stop and watch to see what grew from the rubble this loss. I took most of my belongings and either gave them away or burned them on a large fire in the back garden of my old house. I threw onto the fire all my previous writing — around six million words — and with my four year old son, I watched everything that had defined me turn into ash and cinder. Then, I walked away.

After years of perceiving my future as a set thing, and then years of trying to rebuild that same future out of the mess that grief had left behind, I finally let go. We moved to a faceless new house on a social housing estate that had been built on the remnants of an old industrial site. In this blank house, with its blank scrub garden, I quietly began again, digging out the rocks, mangled metal and broken concrete, and growing new soil from waste in the dark. Stone by stone, rock by rock, my son and I planted a garden from the waste and in doing so, I learnt to become still, and find myself and my story again.

This story became  All My Wild Mothers, long-listed for the Nan Shepherd Prize 2019. This took me by surprise. This wasn’t a story about far-off places and vast, open spaces. I hadn’t gone anywhere or achieved anything. I had just planted a garden in my back yard. For me, it was about trying to make sense of a world that made no sense to me anymore. It was about loss and motherhood and planting a garden and finding in the waste and weeds the beauty in what is broken. In the end, to my surprise, it was a story about coming home to the woman I had become.

Shortly after I had finished the book and sent it off into the world, the world changed for everyone. Fast-forward and I am writing this at my table, staring out over a green that is usually full of children playing and neighbours chatting. Now, it is empty. A small military plane buzzes over a clear blue sky, the muted sound of its propellers breaking the birdsong. The world is upside down. If I switch on the internet, it streams endless statistics and yoga classes and positive affirmations about healing the planet, all trying to make sense of what is happening. The internet runs out of toilet paper, hand-sanitiser, vegetable seeds and laying hens. People are, in varying degrees and expressions, scared. We are hovering at the edge of an unimaginable global loss — of freedoms, of loved ones, of cultural rituals, of community. The assumed identifiers of who we are, collectively and individually, are falling away with a rapidity that leaves us spinning. We are grieving — both for those we have lost and for our ourselves, for our imagined futures. We speak in terms of “when this is over; when things go back to normal; when we get over the other side” but the truth is, there is no back to normal. We don’t know. There is no time frame, no certainties, no assurances. We have lost our sense of fixed point and come face to face with our own mutability, and our own illusory truth. This is the landscape of loss and we are writing its story moment by moment, unsure of what is to come. 

Overnight, everything I have been working towards has gone. There is no future tense, no way of making plans. I spin a while and then settle. I have been here before. I know what I have to do. 

I start to dig. Under the moss and buttercups, I discover rocks that my son and I placed eight years ago. That time, I was digging to find myself again in amongst the slow, strange time of grief. Now, I am digging to keep myself still in a time of a rapidly changing world of collective loss. It isn’t as easy these days. My body has broken over the last few years, become brittle and unstable with the impact of chronic illness. Now, I can manage to do a few minutes at a time, pausing to lie flat and rearrange my bones. After an hour, I have to make myself stop or the small reserve of energy that I have will literally run out. 

My son has changed too. He is no longer the little boy that followed me with his green wheelbarrow and roman shield. He is nearing his teens, his body and mind changing daily. Yet, as he reaches out to place a hand on my back, quietly asking if I am alright, I see so clearly the same big heart and am thankful for all the days we have had in between. I have been frightened of death taking him for so long now. As that risk rises exponentially every day and we shield ourselves into the small world of our home, I find myself trying to explain to people what it means to live with that threat on a daily basis. I am fighting for his life with a mop and Dettol bucket, sealing off our lives to protect what is at the heart of it: my child.

I keep digging, turning over soil that we made with our own hands, using rotted branches, half-composted kitchen waste and horse manure to create earth in a land of rubble. As I dig down, I excavate layers of our lives: sand, bricks, bulbs, dinosaurs. The feverfew that now springs up at will was dug from my mother’s garden before we knew she was dying. The nettles that thread long yellow roots through the soil were the first crop to be planted here by my four year old son, who declared that a garden should always have nettles for soup. Each forkful of soil is a story of becoming whole after everything was smashed apart.

We came to this house because death had broken everything I had once known and left me with a life I did not recognise. This garden, that now grows wild with weeds and fruits, and flowers that can heal a wound and ward off a wayward spirit, was created out of loss. Now, as life unravels, this garden gives me space to re-find myself again and ready myself for the changes that are to come. And they will come. There will be death and loss and parting. I know I cannot stop it, though I can try to make it pause but I recognise the breath of it as it waits close by. As the world juxtaposes a strange silence and transposes its usual noise into an invisible cacophony of connection, I plant the first seeds, watch the early bees rise from sleep, let the soft tick of a clock drift like a dandelion out across the breeze. 

There will be more dying, of that I am sure. For now, I am becoming small, mouse-like, slipping quietly between the hours, my days slowed down to an almost stillness, returning once more to the darkness of soil. As the world reaches out to make sense of this new absence, I come back to the quiet act of planting the garden, reminding myself, once again, that when things fall apart, it is wise to return to the small things that grow.